Music Style Of Linkin Park

Both Hybrid Theory and Meteora combine the alternative metal, nu metal, and rap rock sound with influences and elements from hip-hop, alternative rock, and electronica, utilizing programming and synthesizers. William Ruhlmann from Allmusic regarded it as "a Johnny-come-lately to an already overdone musical style," whereas Rolling Stone described their song "Breaking the Habit" as "risky, beautiful art". Linkin Park has cited Hed PE as one of their biggest influences.

In Minutes to Midnight the band experimented with their established sound and drew influences from a wider and more varied range of genres and styles, a process Los Angeles Times compares to a stage in U2's work. In it, only two of the songs feature rapping, and the majority of the album can be considered alternative rock. NME magazine's Dan Silver criticized the band's approach, calling it the "sound of a band trying and failing to forge a new identity", and referring to the song "Hands Held High", a song about terrorist attacks and war, as "far and away the funniest thing you will hear all year".

The vocal interplay between Chester Bennington and Mike Shinoda plays as a major part within Linkin Park's music, with Bennington being the lead vocalist and Shinoda as the rapping vocalist. On Linkin Park's third album, Minutes to Midnight, Shinoda sings lead vocals on "In Between", "Hands Held High", and on the B-side "No Roads Left". In The Catalyst, the first single from the band's fourth album, A Thousand Suns, both Shinoda and Bennington sing. On the most of tracks off the record, the band notably used electronic drumbeats along with outro drumbeats. The album has been regarded as a turning point in the band's musical career by notable critics. James Montgomery, of MTV compared the record to Radiohead's Kid A, while Jordy Kasko of Review, Rinse, Repeat likened the album to both Kid A and Pink Floyd's landmark album The Dark Side of the Moon. Shinoda stated that he and the other band members were deeply influenced by Chuck D and Public Enemy, further elucidating "Public Enemy were very three-dimensional with their records because although they seemed political, there was a whole lot of other stuff going on in there too. It made me think how three-dimensional I wanted our record to be without imitating them of course, and show where we were at creatively". The record further features a "Political Element" consisting notable speeches by American political figures.